Back light with Digital

Back light has always attracted me - It seems to be more difficult with Digital than Film, where the saturated part will be a perfect sequence of "max value", with film you always have a little structure somewhere, noise from the acetate base, noise from the sensitive layer, noise from the scanner...
Anyway, I start to be happy enough with the results to post one... (out of 5Dm2)

Montalivet, France - 2009.